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The book is much influenced stylistically by the medieval legends with which Steinbeck had become familiar during his boyhood.
The protagonist of the book, Henry Morgan, is a brigand, a rugged individualist who is as much a nonconformist as Danny is in Tortilla Flat. In his second and third books, The Pastures of Heaven and To a God Unknown, Steinbeck discovered the direction that most of his future novels would take. He wrote about the central California agricultural areas in which he had grown up, and, in the latter book, he also experimented with symbolism stimulated by his early reading of medieval literature.
The characters in these books are memorable as individuals, but they clearly represent universal types as well.
As promising as The Pastures of Heaven was, it was not a commercial success. In Tortilla Flat, Steinbeck transplants the medieval legend of King Arthur and his knights to the Monterey Peninsula, where Danny and his jolly band of paisanos lead lives of immediate gratification and satisfaction.
What shocked them most, however, was that Steinbeck made no value judgments about his characters.
Rather, he presented them and let his readers make of them what they might. The public accepted Danny and his boys because they represented to an economically depressed society an escape from the constraints that society had placed on many of its citizens.
Danny and company lived outside those constraints. In Tortilla Flat, one finds the quintessential Steinbeck, the Steinbeck flexing his muscles before writing his great classic, The Grapes of Wrath.
It is important to remember that Steinbeck is not one with the people about whom he writes. He embraces them appreciatively, not with the sense that he wants to be one of them, but with a genuine respect for them as they are.
In his best work, it is this disinterested, objective, yet warm presentation that entices readers. If one thinks in terms of dichotomies, American novelist Henry James would be at one extreme in depicting human beings, Steinbeck at the other.
The professionals who wrote about his work had essentially been brought up in the Jamesian tradition; they had lived their lives either in the eastern establishment or outside it trying to break in. Steinbeck disoriented and threatened some of them. As a result, his writing has not received the serious and objective critical evaluation it deserves.
Using the simple and direct language and the casual syntax that characterizes his best writing, he captured a crucial era in American history by showing the way the Great Depression and the Dust Bowl of the midwestern United States affected one family, pawns in a game so huge that they did not always realize there was a game.
Steinbeck became the darling of the Marxist critics when he published The Grapes of Wrath in but mostly for political reasons rather than for artistic ones.
When his subsequent books failed to evince the social indignation of The Grapes of Wrath, critics virtually abandoned Steinbeck and often made unfeeling, superficial judgments about his work because it had failed to meet their preconceived political expectations.
Steinbeck was accused of being an intellectual lightweight and of having sold out—turning his back on his principles once he had secured his future. Actually, he had simply moved his cast of characters into new situations and shaped them to those situations, although not with consistent success.
Even in the much—and justifiably—maligned The Wayward Bus, Steinbeck was experimenting with a milieu created by imitating and modernizing the kind of microcosm with which Sebastian Brant had worked in his long medieval poem, Das Narrenschiff ; The Ship of Fools, Every good story must have opposing forces, friends and enemies to keep the conflict moving.
Steinbeck knew who his friends were: He had a little more trouble in deciding who the enemies were. He solved the problem, as many writers before him had, by keeping the enemy large, rich, and generalized.John Steinbeck was a fairly focused writer in terms of the themes he explored.
In his books To a God Unknown and East of Eden Steinbeck takes up the themes of identity through land ownership as. The Pearl by John Steinbeck is a fascinating story with the age-old moral to be careful what you wish for. The novella features interesting characters, rich themes, and intense conflict to tell the story of what happens when your biggest wish comes true.
The Pearl John Steinbeck.
BUY SHARE. BUY! Home; Literature Notes; The Pearl; Chapter 1; Table of Contents Summary and Analysis Chapter 1 As noted, Steinbeck begins his novel with a simple description of the natural surroundings. It is dawn and the beginning of a new day.
The Pearl: Biography: John Steinbeck, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature. The text analysis “The Pearl” by John Steinbeck.
The present extract is from the novel “The Pearl” written by American author John Steinbeck. The novel is about Kino, who is a pearl diver and main theme is man`s nature, both evil and good, greed and honest. The Pearl is a novella by American author John Steinbeck, first published in This story is about a poor family which is more likely described as native Americans, who discovers an enormous and valuable initiativeblog.com novella explores man's nature as well as greed, defiance of societal norms, and evil.